It may not display this or other websites correctly. Gilmour recording at Abbey Road in 1975 using a 1972 Fender Dual Showman Reverb amp with matching Fender 2x15 cabinet with JBL speakers For a better experience, please enable JavaScript in your browser before proceeding. You can also upgrade the four stock 6L6 Groove Tubes (that's what was in mine, new) for a good set of NOS tubes or JJ Electronics tubes, and swap preamp tubes for NOS or JJ's (2-5 tubes depending on which input you use most and if you use the reverb or vib/trem). A complete product overhaul was conducted to ensure the renowned FANE qualities of incredible performance without compromise are firmly adhered to, the result being a comprehensive range of components from 5-inch through to 18-inch loudspeakers. Audio Fidelity Group Directors, including Simon Cowell (top left), meet with arthur Barnes in the 1980s. Note the 122326 ID codes. FENDER SPEAKERS - David used a 1972-74 era Fender Dual Showman Reverb head with a matching Fender 2x15 inch speaker cabinet in the 1976 recording sessions for Pink Floyd's Wish You Were Here album, along with his Hiwatt/WEM cab, and a Leslie 760 rotary speaker cab. FANE became the first manufacturer to produce a speaker capable of handling 100 W and generate sound pressure levels in excess of 100 dB. Shown above - One of my Fane Crescendo 100w 12 A speakers from 1976 or 1977 with 122326 ID code. I use it to pair with brighter speakers like the Hi-Tone Crescendo A, DR-F, or the Weber FC12. Watch this gear and we'll notify you if it becomes available again. Site developed by Edoru. The all new "Starfinder" DG12A cast aluminium basket 100w 12 inch guitar speaker featuring extra high power anisotropic ferrite magnet, 2 inch voice coil and 20,000 gauss is painstakingly reproduced to the same specification as its predecessor, the "CRESCENDO"12A that was instrumental in producing that unique early Floyd sound. Fane Acoustics Limited, Batley, West Yorkshire, England, was officially registered as a Company on 11th June 1958. The paper indentification labels, usually printed in black/brown/red color, were placed on one spoke. During the 1960s the electric guitar created the need for more powerful 12-inch loudspeakers. Fane A60 8 ohm or 16 ohm Ascension Guitar amp Alnico speaker $265 Brand New Fane Ascension F30 8 or 16 ohm $165 Brand New Fane Ascension F25 8 or 16 ohm $125 Brand New Orange Silver Series Voice of the World 12" Speaker Pair $299 $99 price drop $200 Used - Mint Celestion Cream Alnico 12" guitar speaker 8 ohm $279.99 Brand New Free Shipping Originally the UK made T-75s were brighter sounding, but around 1995 Celestion changed the voicing to a darker sound, with much more mid scoop and low end. The FANE Sovereign Series was created with both heavy duty pressed steel and cast aluminium frame options to provide a new range of product options optimised for the requirements of the current professional audio industry and subject to a programme of continuous improvement in which specifications undergo constant analysis to ensure that they represent the best they can be. Different tubes offer different sound characteristics, which can affect the cleanness and EQ of the tone. One Woofer Has Been Replaced. Description. Fane Crescendo 100 watt '70s -Type A-Speakers (pair) Michael Landau Owned and Played. Fane has a strong heritage and history in sound engineering excellence. The Colossus Crescendo 18 were the 4" coil version, which later became the 400b. David also used the Twin Reverb/Showman preamp in his rigs, in the form of the Alembic F2-B. It is still very close to the original, as you can hear in the sound clips below. Starfinder speaker with Green Russian Big Muff - On the Turning Away solo, Starfinder speaker with Green Russian Big Muff - In any Tongue solo - no modulation, Starfinder speaker with Green Russian Big Muff - In any Tongue solo with modulation, Starfinder speaker with EHX Ram's Head Big Muff - Mother solo, Starfinder speaker with Green Russian Big Muff - Money solo, Starfinder speaker with B.K. World-renowned brands of the time such as Carlsbro, Hiwatt, Laney, Orange, Sound City and Vox were just a few of those FANE customers. All rights Reserved. "Celestion's Blue and Gold are most players' benchmarks when it comes to alnico speaker tone, and in a direct comparison test, with all the drivers involved having been nicely broken in, the Ascension N30 fares very well" Chris Vinnicombe, Guitar & Bass 2016. Hiwatt (Reeves Custom 50) through Hi-Tone Crescendo A and Celestion G12T-75 speakers with a BKB 911 Tube Driver - Louder Than Words solo, Hiwatt (Reeves Custom 50) through Hi-Tone Crescendo A and Celestion G12T-75 speakers with a Ram's Head Big Muff - Mother solo, Hiwatt (Reeves Custom 50) through Hi-Tone Crescendo A and Celestion G12T-75 speakers with a Ram's Head Big Muff - In Any Tongue solo, Same as above, but with a Green Russian Big Muff - In Any Tongue solo, Same as above, but with a BKB/Chandler Tube Driver - In Any Tongue solo. Keep in mind that buying an old Twin Reverb may cost less than a brand new one, or cost about the same as a used '65 reissue, but the capacitors in those older amps can be 30-40+ years old. Would the Starfinder sound good in a small combo? Note the aluminum dust caps visible through the grille cloth, indicating these are Crescendo 12 'A' type speakers. The normal channel on the 59 Bassman sounds very similar to the Twin Reverb/Showman when playing clean, but at high volume the Bassman sounds more compressed and breaks into overdrive. In general, as long as it is a sturdy, well built cabinet, I don't think it matters which brand it is. 250.17. So a 16ohm amplifier should be matched with a 16ohm cab running 16ohm speakers. Shamara Fane Student at Barstow Community College Whittier, California, United States IMHO these are some of the best, if not the best, Ceramic/British Voiced speakers available today. Established in England, 1958. The tone is fatter and more mid-scooped than a Crescendo, with tight highs and a modest low end. I don't think one is any better than the other, it's just a matter of personal taste. FANE became the first manufacturer to produce a speaker capable of handling 100 W and generate sound pressure levels in excess of 100 dB. WEM sold these with many different brands of speaker inside, including Fane, Celestion, and Goodman. I don't think one is any better than the other, it's just a matter of personal taste. Umthey are by FaneI'm not too sure.". However, in April 2016 Phil told Calyton Calloway (of Hi-Tone amplification) that David has Fane 122231 speakers in his SA212, which are very different than the 122326 Crescendos, with much more bass. The 12 A was the type often used by Gilmour. The speaker cones were ink stamped with an identification code, although many only had a partial stamp because of the curved cone shape. The company's still in business. speakers, and Crescendo 15B and 18B PA speakers, all of which have completely different specs and sound than the 12A. While not an exact replica, it is the same size and is built like a tank. Shown above - David Gilmour's WEM Starfinder 4x12 speaker cabinets loaded with Fane Crescendo 100w speakers, from his 2015 tour. The original Bassmans had a tube rectifier, but the 59 Bassman reissue was built with a plug-in solid state rectifier. $375.00 Local Pickup or Best Offer 15 watching Pair Infinity Crescendo CS 3007 Speakers Serviced playing great all original $799.00 Local Pickup 12 watching This accented more of the upper mid range, adding a unique, jangly top end to the Crescendo sound. Shown above - Rola Celestion G12-100 from 1982. Why not contact them (, Too late now to edit my earlier post, but I've discovered that that link doesn't work. From the start, FANE had also produced large 12-inch bass drivers for OEMs in the specialist hi-fi industry in addition to producing its own hi-fi products such as the Quartet complete loudspeaker system. The bright mid range is almost too bright with certain amps, like Marshalls, but works well with a Hiwatt and most Fender amps. There were also several different Fane Crescendo models with various speaker frame designs and labels. Cluster One - with Fender 59 Bassman LTD - Strat with EMG-SA pickups, 5AM - with 59 Bassman LTD - Les Paul with P90 pickups, Purple Rain solo (Gilmour/Tom Jones version) - Proco RAT through 59 Bassman LTD - Strat with EMG SA pickups, Calling - B.K. Closed-back cabinets sound more focused and project the sound in one direction. The stock amp sounds excellent, but y. I also think the low frequencies sound less flabby with closed backs, especially from a Big Muff. The massive magnet and ribbed foil tape make them easy to identify. On the other hand, I like my small open backed Fender combos when playing clean and overdrive because they sound better filling the room. Pink Floyd backline tech Phil Taylor, Guitarist Magazine Jan 1995, Shown above - David Gilmour's WEM Starfinder 4x12 speaker cabinets loaded with Fane Crescendo 100w speakers, from Pink Floyd's, Shown above - David Gilmour's WEM Starfinder 4x12 speaker cabinets from his 2006 tour with barely visible. All rights Reserved. Fender switched back to using a real tube rectifier, added a tinted laquer to the tweed covering, and changed the cabinet construction to finger jointed solid pine wood. The Ascension F90 is the speaker of choice for modern rock and metal sounds. You must log in or register to reply here. These are made with a replica of a German-made Kurt Mueller cone, the same type that was used in original 1970s Fane Crescendos. Any of those will work for the way Gilmour used the amp. Shown above - 100w Starfinder with aluminum dust cap from Rawson Sparfield, made in the United kingdom. They allowed the high frequencies that are normally dampened with paper or cloth caps to be retained and radiated through the cap dome. For comparison purposes, below are sound clips of a real Fane Crescendo 12A through a Hiwatt (Reeves Custom 50). In 2018 we celebrate our 60th anniversary as a brand and ten complete years under the Barnes family ownership with a direct link through to the early days of FANE back in 1966. Crescendos are characterized by their massive ceramic speaker magnets with beveled edges around the back plate. Overnight speaker power handling was doubled and the legendary Crescendo MI range was born. No such thing, I'm afraid. Unfortunately no Crescendos. I recall the label - "High Efficiency Anisotropic Ferrite Magnet" From memory I can tell you that they were prized for their sensitivity, which I think was about 100dB/W/m or better, and for some reason it sticks out in my mind that they had unusually high magnetic flux density. The 1 1/8 " baffle was made in two pieces, consisting of a fixed 3/4" plywood (12 ply) speaker baffle board and a cloth and piping covered 3/8" front baffle board that was screwed to the speaker baffle. The easisest way to tell an original 59 Bassman reissue from the later LTD is the fake "ground" switch on the original. Modern 'vented'Fane voice coils still utilise Arthur Falcus' revolutionary glass fibre technology. Most were 50w or 70w Fanes with completely different specs. It also works for David's 2006 tour tones, heard on Remember That Night and Live in Gdansk. The Hi-Tone DR-F 75w speakers are another good option for those who find thier Crescendo A speakers to be too bright. What is the difference between the old blackface and the silverface Twins? Speaking of Pre-rola Greenbacks. There were also several different Fane Crescendo models with various speaker frame designs and labels. Oops, looks like you forgot something. In fact, he has used the same WEM cabinets in his live rigs from 1970-2016. from FANE specifically, came with Arthur Falkus' development, presentation and use of the glass fibre voice coil. Butler Tube Driver - Take A Breath solo, Starfinder speaker - clean tone with compressor - Coming Back to Life solo, Starfinder speaker - clean rhythm tone with compressor - Another Brick in the Wall Part II, Shown above - 150w Hi-Tone Crescendo 'A' with aluminum dust cap and Kurt Mueller cone. Tony474 thanks for keeping it basic! I'm thinking that the people using the Fane name nowadays have little relationship to the old company. A well-balanced driver, equally suited to classic rock sounds as it is jazz, heavy metal or punk. The Silver Label version was reversed so all the text was in black, other than The Crescendo name. Send flowers or a gift to a service or family's home. The real breakthrough for the industry, and from FANE specifically, came with Arthur Falkus development, presentation and use of the glass fibre voice coil. East Whittier, California Call Now. That said, I use both at home, but I do not have close neighbors who would complain. Specification Bass Resonance 70 hz Frequency Response 30hz to 16,000hz 2 inch voice coil 100 watts rms 20,000 gauss Motherfuzzer The FANE catalogue of components was carefully reviewed and analysed. They were built for Watkins by Rawson Sparfield Ltd, in Haverhill, Suffolk, England, the same builder who made cabs for Selmer and others. David had a third WEM loaded with Crescendos behind him as a spare that was used to monitor his second guitarist in the first part of the 2016 tour. Select one or more of the filters below to view products meeting your criteria. There are many cabinet sizes with various speaker sizes and configurations. In the 1970s Fane made speakers for Selmer,Watkins (WEM), Simms-Watts, and Dave Reeves of Sound City and Hiwatt fame, which is likely where Pink Floyd was first introduced to them. These had large ceramic (anisotrophic ferrite) magnets, 20,000 gauss flux density, 2" voice coils with fiberglass formers, and 3" diameter aluminum dust caps with a round, felt diffuser mounted in the center. They may sound similar to some model of Fane speaker, but nothing like the Crescendo to my ears. Shown above - Examples of frame spoke labels used on Fane Crescendos from the 1970s. Le style de ses solos est souvent caractris par des phrases influences par le blues, et par des notes tenues en portamento.Sa technique de glisss (glissando et slide), est parfaitement matrise.. Principalement guitariste, David Gilmour est galement multi-instrumentiste.Il joue de la basse (notamment sur certaines chansons . Fane Crescendo speakers were made by the legendary British loudspeaker company Fane in the late 1960s, and throughout the 1970s and '80s. Fane Crescendo speakers were made by the legendary British loudspeaker company Fane throughout in the 1960s, '70s, and '80s. 4x12" cabs are overkill for home playing and are really only necessary for large venues. Get in touch with our Exclusive North American distributor. He also briefly use a pair of silverface Twin Reverbs in a 1984 performance, and a pair of Twin Reverb II amp heads from 1984-87. The original Crescendos were 12" 100w, 15" 100w, and 18" 150w models, all available in both 8 ohm and 15-16ohm. It is unknown what David's used. These are the same sound clips from this page. This Bassman/Hiwatt setup was used for most of the 1993 Pink Floyd sessions which resulted in the Division Bell album, where David first started using the B.K. Hi-Tone Amplification sells a 150w Fane Crescendo replica called the Crescendo 'A', made by Eminence. - Phil Taylor, Guitar World Sept 1994, "I've got three normal Hiwatt heads, AP100sOne Hiwatt powers a WEM 4x12 with the Fane Crescendos in it and a Marshall with Celestions; the second does the same thing but it has a chorused version of the first signal in effect, this means that one pair has a wet signal and the other remains dry." Around 1972 a master volume was added, but they were still basically the same design. What are the general sonic characteristics of each. In 1977 the circuit changed significantly to a very different sound, then came the Twin Reverb IIs in the 1980s and Red Knob Twins. A labour of love as well as of professionalism and expertise. See more. Butler Tube Driver through 59 Bassman LTD - Strat with EMG-SA pickups, Hey Joe - B.K. (Great Scott Marty!). David Gilmour est surtout connu pour son jeu de guitare. I can't in good conscience sell it as a working Fane Crescendo now anyway. Speaker Recone Kits EV Electro Voice 15 EVM15L DIY Recone Kit 8 Ohm F.01U.110.882. Shown above - Fane Crescendo speaker catalog pages and ad listings from the early 1970s. Shown above - Three types of cap labels uses on 1970s Fane Crescendos, a black, silver, and a standard Eminence The Tonker 12" Guitar Speaker Red Coat 8ohm . The frames were made of heavy 5ply plywood, not particle board like other 4x12 cabs of the era. The launch of Colossus PRIME 18XS saw the arrival of another legendary FANE high power 18-inch drive unit to stand alongside the mighty Colossus 18XB. Another option is the less expensive 1028K version that is readily available. The Gear Page is the leading online community and marketplace for guitars, amps, pedals, effects and associated gear. Arthur Barnes (Centre) with David Biggs and Dennis Newbold. Arthur left the company he had dedicated himself to and the tenure of the Barnes family association with FANE was temporarily ended. We look forward to working with you to celebrate further milestones of achievement in the story of success that we shall forge together 2015 Fane International Limited. These are are sometimes Fane-made Sound City and Hiwatt speakers that use the exact same frame as the Crescendo with fake Crescendo and ID labels applied to them. Please check the fields highlighted in red. Fane used Kurt Mueller speaker cones in the beginning, then changed to Pulsonic cones, then back to Kurt Mueller in the early to mid 1970s. Visually the speaker looks very similar to the original Fane Crescendo, but the spoke holes in the cast metal frame are not as wide, the underside of the magnet has a beleveled edge rather than a corner like the original, and the hammerite finish pattern is smaller and smoother looking. People sometimes mixed the two, but guitarists typically used the 130 speakers. The Twin Reverb II still retained the basic Fender clean tone. The ink stamps on the cones of my speakers are marked 1021/15, but I have seen other Crescendo cones with completely different numbers. The stock amp sounds excellent, but you can switch the Jensens for Weber 12F150's or Weber Californias if you want something closer to the sound of the old JBL speakers used in the original blackface and silverface Twins. Shown above - Rola Celestion G12/75 from 1976 and the Celestion G12T-75 from 1984, both made in England, Shown above - Rola Celestion G12-100 from 1982, made in England. Tony yes, you're right about the wording on the label; sounds like something from a space TV programme of the same era! All had aluminum dust caps. A few years later these were changed to Jensen P10R speakers with kapton voice coils, which held up better to high volume than the paper coils in the Eminence speakers. FANE continues to dynamically engage with a continually changing global audio industry, evolving to the demands of the present time while being faithful to our original maxims of being at the forefront of audio design and engineering and innovative in our approach to predicting future market trends and requirements. I mainly recall Fane from their adverts in Exchange & Mart back in the pre Internet era. Compare these to the original Fane Crescendo sound clips at the beginning of this section. Electric Guitarists. Almost all of the leading manufacturers of this time would come to load FANE components into their products during this and the following decades. Turbosound, who selected FANE for all their custom designed loudspeaker requirements, were the choice of the worlds leading venues and entertainers. As FANE continued to further develop speaker technologies for high-power professional audio sound reinforcement, the FANE product range and OEM capability significantly expanded to cover a catalogue range of fifty products. Copyright Kit Rae. In 2007 FANE was relocated from its then manufacturing plant in Leeds to its current home at our headquarters in Castleford, West Yorkshire, England. Similar tone family, but more of a distant relative, and more balanced for a wider variety of music. These are the HITONE CRESCENDO (HT-C 'A') and the Rawson Sparfield. Reeves claims they sound very similar to the original Purples, but I have never tried them. WOT'S, UH THE DEAL WITH ALL THE DIFFERENT TWIN REVERBS? - There are numerous versions of the Twin Reverb that Fender has produced throughout the years. David's WEM speaker cabinets are typically loaded with Fane Crescendo 100w 12" speakers. Note the 122326 ID codes. AVAILABILITY : IN STOCK 129.27 RRP Inc. VAT The ceramic magnet, 12-inch, 90 watt, Ascension F90 is the speaker of choice for modern rock and metal sounds. It sounds very similar to the original amps, but speaker types make a big difference with the sound. By the late 1970s there were at least 14 different models of Crescendo speakers offered by Fane. We are committed to offering products of the highest standard, competitive pricing and support services needed to meet the changing demands of the pro audio market place. It is named the Starfinder, after the name of the WEM Starfinder speaker cabinets that Gilmour is so much associated with, and the company is named after Rawson Sparfield Ltd, the original builder of those Starfinder cabs, although RS is not affiliated with either original company. 12-inch, 90 Watt, Alnico, Guitar Loudspeaker. The FC in the name stands for Fane Crescendo, and they include the silver dust cap like the original Crescendo, but they really do not sound like a Crescendo. I wonder if people will like the non-aged Crescendo the same? Speaker Recone Kits EV Electro Voice 15 DL15ST DIY Recone Kit F.01U.110.734. Best suited for use in 1 x 12" and 2 x 12" low- to mid-powered combo amps, the Ascension N30 is an optimal . A bold new entrant in the arena of high performance Alnico guitar speakers for modern rock and metal sounds. Rawson Sparfield sells a 100w Fane Crescendo 12A replica that is a very accurate recreation of the original, using a similar cast metal frame, the same magnet and voice coil specifications, and aluminum dust cap just like the original. From its inception FANE demonstrated the pioneering spirit that has comprised a core element of its ethos through to the present day. FANE Towards Perfection was a phrase used to reflect the pedigree and mission statement that the company was striving so successfully to achieve. Quick View. However, the stock C12s in the TRRI sound really good (at least when I bought mine around 2006 they did) once they were completely broken in. Select one or more of the filters below to view products meeting your criteria. 100 watts is fine for live use in medium to large venues, but overkill for small venues or home use. Principles Before Personalities 1212 Step Study. I doubt he has used the China made version that satrted production around 2002-2003. A period of changes of ownership and lack of direction combined to make the next few years challenging for FANE. The Crescendos have a distinct bright tone that accents the upper mid range. Reeves Amplification also produce some excellent 2x12 and 4x12 speaker cabinets fitted with Vintage Purple 75w speakers made by Eminence. I have them in a 2x12 cab and they sound somewhat similar to the blend of Crescendos and Celestions I have in one of my 4x12 cabs. Type A speakers were typically listed in speaker catalogs as "Crescendo 12A" and the spoke labels on the speakers identified them as type "12 A". The 300w Fane Crescendo 12MB was another HiFi studio/PA speaker. THIS 15" FANE CRESENDO 15B HANDLES A STRONG 400 WATTS AES DELIVERS A CLEAN BASS SOUND IN PORTED CABINETS CAN HANDLE EXTENDED LEVELS OF EXCURSION THANKS TO ITS' SUSPENSION & LONG THROW MOTOR STRONG DIE CAST ALUMINUM BASKET W/ PUSH BUTTON SPRING TERMINALS FOR ALL QUALITY BASS APPLICATIONS Ted Weber FC12 100w ceramic speakers with aluminum dust covers are described as having the "Classic British Fane Crescendo tone". Open back cabs spread the sound more in all directions and can sound looser. Anyone else needs to contact them, just go to the main website. Fane produced a massive number of speaker models with many different options, so there is not one "Fane" sound, and the Crescendos sounded very different to other Fanes. Fane label that was also used on some speakers with the exact same specs as the Crescendo 12 A. David Gilmour's WEM 4x12 cabinet loaded with Fane Crescendo 100w speakers and Marshall JCM-800 As Celestions are widely available - is there one closest to the vintage Fanes that David Gilmour used ? They sound harsh for the first few weeks when new, as is the case with most new speakers. It is perfect with mid-scooped pedals like the Big Muff and B.K. - Phil Taylor, Guitarist Magazine Jan 1995. Specifications, general parameters, Thiele-Small parameters, box volume, reviews, manufacturer recommendations. David mixed Crescendos and Celestions for his 2015-2016 tour and according to Phil Taylor, one WEM 4x12 cab was loaded with Crescendos and used with his DR504 Hiwatt, and one was loaded Celestion G12-100 speakers for use with his Alessandro amp. Those were used with his Hiwatts, and I presume the third was a spare. Plywood or solid wood cabs are going to be sturdier and last longer than particle board if they get hauled around a lot. BLENDING CRESCENDOS WITH CELESTIONS - David nearly always runs at least two amplifiers at once in his live rigs, each going to its own speaker cabinet with its own type of speakers. Butler Tube Driver. shown above - 59 Fender Bassman LTD (laquered tweed) from 1995 with Jensen PR10 speakers. The Showman was basically the head version of the Fender Twin Reverb, for use with and external speaker cabinet. The difference is the K has a kapton voice coil instead of paper, and is 35 watts instead of 20. He had WEM 4x12 cabinets with Fane Crescendo speakers in, identical to the ones he uses now" - Pink Floyd backline tech Phil Taylor, Guitarist Magazine Jan 1995, "I have two new 100-watt Fender Twin Reverb heads running to two 4xl2 cabinets each-two WEM cabinets with Fane Crescendo speakers and two Marshall cabinets with Celestions." The HI-TONE Eclipse series cabinets with "HT-C 'A'" speakers from Eminence are an homage to David Gilmour's WEM cabs loaded with Fane Crescendo A speakers. As Bill Sees It. Brand New Fane Crescendo 12A 12 Aftermarket Recone Kit. Not exactly the Crescendo sound, but in the same family. Models that perfectly balance heritage with innovation, providing the elusive qualities of high performance, exquisite tonality and consistent quality. The Showman was sold with a matching speaker cabinet fitted with JBL D-130F 15" speakers with silver dust caps or optional D-140F 15" bass speakers. They have a great Gilmour sound to them when paired with a Hiwatt amp and blend very well with mid 1990s Celestion G12T-75 speakers. Sometimes the Celestions were loaded in Marshall JCM-800 4x12"speaker cabinets, like in 1994 and 2001-2005, and sometimes in his WEM cabinets, like in 2006 and 2015. Fender silverface Twin Reverb amp, and Dual Showman Reverb amp. It was removed for the LTD version. The Ascension N30 captures the complex sonic structure usually associated with an alnico loudspeaker in a light weight neodymium format imbued with Fane's authentic vintage tone. Some of them can be used as guitar speakers, but they were nothing like the old Crescendo 12A speakers. These are famously known to be the Gilmour speaker of choice -Fane ID Code 122326, "I have two new 100-watt Fender Twin Reverb heads running to two 4xl2 cabinets each-two WEM cabinets with Fane Crescendo speakers and two Marshall cabinets with Celestions." De H1 chip werd gentroduceerd met de AirPods (2019), en bracht snellere verbindingstijden, een verlaagde vertraging tijdens gamen en de mogelijkheid om Siri aan te roepen met alleen je stem.
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